Category: Super Bowl Ads

The Super Bowl is advertising’s biggest night. Read how Apple, Volkswagen, Budweiser, Google and even a single Oreo tweet turned game-day spots into stories people still talk about.

  • Always’ “Like a Girl”: The Super Bowl Ad That Turned an Insult Into a Rallying Cry

    Always’ “Like a Girl”: The Super Bowl Ad That Turned an Insult Into a Rallying Cry

    “Run like a girl.” Told to act it out, a teenage girl flails her arms and giggles. Told the same thing, a ten-year-old just runs — fast, serious, arms pumping. The gap between those two reactions is the entire ad.

    In June 2014, Always released a three-minute film directed by Lauren Greenfield that asked people of different ages to demonstrate what it looks like to “run like a girl,” “throw like a girl,” and “fight like a girl.” Teenagers and adults performed exaggerated, mocking versions. Girls under twelve, who hadn’t yet absorbed the insult, simply did their best. The film ends with a question stitched into decades of playground taunts: when did “like a girl” become something to be ashamed of?

    The video passed 90 million views within months, becoming one of the most-shared ads of 2014, and P&G doubled down by cutting a 60-second version for Super Bowl XLIX in February 2015 — one of the rare Super Bowl spots built entirely around a social message rather than a punchline. It sparked the #LikeAGirl hashtag and a wave of imitators trying to bottle the same formula.

    The campaign went on to collect 14 Cannes Lions, an Emmy, and a spot on YouTube’s list of the decade’s most-watched ads, while Always reported a measurable jump in how positively people viewed the brand. More than a decade later, “like a girl” is still more often used the way those ten-year-olds meant it — as a fact, not an insult.

  • Apple’s 1984 Super Bowl Ad: The Commercial That Changed Advertising Forever

    Apple’s 1984 Super Bowl Ad: The Commercial That Changed Advertising Forever

    Apple’s “1984” commercial aired only once, during the third quarter of Super Bowl XVIII on January 22, 1984. Directed by Ridley Scott, fresh off Blade Runner, the 60-second spot cost roughly $500,000 to produce and never once showed the product it was selling: the Macintosh computer.

    The ad tells the story of a totalitarian society, straight out of George Orwell’s novel, glued to a giant screen broadcasting a Big Brother figure. A lone athlete sprints down the aisle and hurls a sledgehammer into the screen, shattering it in a blast of light. A voiceover announces the launch of the Macintosh, closing with the line that made the ad legendary: you’ll see why 1984 won’t be like “1984.”

    What makes this commercial a masterclass in advertising is what it refused to do. It never showed the Macintosh, never listed a single spec, and barely mentioned Apple by name. Instead, it sold a feeling: rebellion against conformity. That emotional positioning became the template every disruptive tech brand has copied since.

    Apple’s own board reportedly hated the ad when they first saw it, and the company tried to sell back its Super Bowl airtime before the game. It aired anyway, ran only once nationally, and is still widely ranked as the greatest Super Bowl commercial of all time, decades later.